Page 21 - Boca Exposure - March '24
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Boca Exposure, Page 21
      Rex Recommends




      By Rex Hearn                                      villain. David Stern conducts. Greg Ritchey is chorus   so necessary to make the plot compulsive. This may have
         Just three visiting                            master. David Gately directs. Call the box office for more   been due to Omer Ben Seadia’s direction, everything
      orchestras are left in Kravis                     information at (561) 833-7888.                     seemed subdued from beginning to end, especially the
      Center’s Classical Music                          Palm Beach Symphony                                firing squad soldiers and the guards on the battlements of
      Series formally known as                             Now first-class under the leadership of conductor Gerard   Castel Gandolfo in Act lll. They slouched limpidly, as if
      the Regional Arts Concerts,                       Schwarz, two concerts remain this season in the Kravis   bored out of their minds. Nothing was spirited or military
      once so ably led by the late                      Center: Wednesday, March 6 at 7 p.m. and Thursday, April 25   about them. The touch of comedy in this dramatic work,
      Sharon McDaniel. You can                          at 7:30 p.m. The first concert is a World Premiere composition   libretto by Luigi Illica and Giuseppe Giacosa is provided
      look forward to hearing the                       by Aaron Kernis followed by Emanuel Ax in Mozart’s Piano   by the Sacristan of the church of Sant Andrea della Valle,
      Rotterdam Philharmonic                            Concerto No 25 in C Major.K.503. Tchaikovsky’s Symphony   the wonderful Adelmo Guidarelli. His hand and body
      from Holland, the Vienna                          No. 4 ends this concert. The last April 25th date begins with   gestures spoke volumes! The roles of Angelotti, Spoletta,
      Philharmonic from Austria                         Beethoven’s Piano Concerto No. 2 with Ignat Solzhenitsyn at   Sciarrone, The Jailer and Shepherd were from Palm Beach
      and England’s Academy of St. Martin in the Fields.   the keyboard and the massed choirs of Miami’s Frost School   Opera’s excellent resident and studio artists, respectively:
      Kravis Center                                     of Music in Beethoven’s Choral Symphony, his last, No 9.   Edward Thomas Bland, Devin Eatmon, David Wolfe, Jacob
         On Monday, March 4 at 7:30 p.m., the 100-year-old   (Symphony No. 9 in D Minor, Op. 125). Solzhenitsyn is indeed   O’Shea and Maya Brown, all of whom gave accomplished
      Rotterdam Philharmonic conducted by Lahav Shani will   the son of Nobel Laureate, the late Aleksandr Solzhenitsyn,   performances. Lighting designer, Joe Beumer, has yet to
      play Arvo  Pärt’s  Swansong; Mozart’s  Piano Concerto   Soviet-era dissident. Soloists in the Choral Symphony are:   learn that one can have dark backgrounds and still succeed
      No. 9, in E flat Major, K.271; and Prokofiev’s Romeo &   Hayley Lipke, soprano; Robynne Redman, mezzo; Joseph   in showing the faces of characters as they sing their parts.
      Juliet ballet music. The brilliant Daniil Trifonov plays the   McBrayer, tenor; and Keith Klein, bass. Gerard Schwarz,   He does the artists a disservice. And the audience too. Alas,
      Mozart concerto. Next, on Friday, March 8 at 7:30 p.m.   conducts both concerts. The Palm Beach Symphony is now   a minority, rush for the exits to get to their cars, ignoring
      and Saturday, March 9 at 2 p.m., the Vienna Philharmonic   in its 50th year. Call the box office for additional information,   respect due to the artists who give so much. Improvements
      led by guest conductor, Franz Welser-Möst plays Berg’s   (561) 281-0145.                             made some time ago make for swifter departures now
      Three Pieces for Orchestra; Mahler’s 9th Symphony and                                                from parking garages, over times past. The next opera,
      Bruckner’s Symphony No. 9 in D minor. Founded in 1842   Palm Beach Opera’s Tosca                     The Tales of Hoffman is from March 1 to 3, with the great
      the Vienna Phil is the oldest professional orchestra in the                                          Mark Delavan. Call the box office for more information,
      world. Lastly, on March 18 at 7:30 p.m., the Academy of      This performance of Puccini’s Tosca was a feast for   (561) 833-7888.
      St. Martin in the Fields led from the first violin chair by   the eyes, brilliant scenery, perfect period costumes and
      the great Joshua Bell will thrill you with their vitality and   a thrilling church scene thronged with bishops, clergy,
      his solo violin playing; program to be announced. Call   choristers and communicants in Act l.
      the box office for more information at (561) 832-7469.     Greg Ritchey’s chorus singers were excellent but the
      Palm Beach Opera                                  orchestra sounded muted; none of Puccini’s orchestral
         From March 1 to 3 at the Kravis Center you will hear   brilliance came through to where I was sitting. Standout of
      the best singers around in Offenbach’s wonderful The   the Jan. 28 matinee was soprano, Anastasia Bartoli, from
      Tales of Hoffman. These are four fun stories in which the   Florence, Italy, making three debuts as the opera singer
      lead male never gets the girl! On Friday, March 1 at 7:30   Floria Tosca: her USA and Palm Beach Opera debut, and
      p.m. and Sunday, March 3 at 2 p.m., tenor Kang Wang   amazingly, for a soprano of such high caliber, her first
      sings Hoffman in his debut; soprano Brandie Sutton sings   Puccini leading lady role! Bartoli was superb. A Callas
      the four heroines and baritone Zachary Nelson sings the   in the making at her Lisbon Traviata best. Tenor Mario
      four villains. On Saturday, March 2 at 7:30 p.m. tenor   Chang’s opening aria, Recondita armonia disappointed as
      Dominick Chenes is Hoffman.                       did most of his performance, he excelled however in the
         Soprano  Erika  Baikoff  is  the  heroine  and  the  great   last duet with Bartoli of Act lll. Baron Scarpia, sung by
      Mark Delavan, who was Wotan in The Met’s last Wagner   bass-baritone Greer Grimsley did not have the threatening
      Ring Cycle, lends his rich baritone to the role of the   presence to scare the daylights out of cast and audience,







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