Page 9 - The Islander - February '24
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The Islander, Page 9
                                                        County and the National New Play Network (NNPN). See  Review Of Palm
      thEatrE haPPEnings from page 8                    Theatres Association, the Cultural Council of Palm Beach

      languages. Demos-Brown wrote and coproduced a Netflix   www.palmbeachdramaworks.com.
      original movie based on the play that received an Emmy   at 7:30 p.m. and Friday and Saturday at 8 p.m. Matinee  Beach Symphony
                                                          Evening performances are Wednesday and Thursday
      nomination for best TV movie (currently running on
      Netflix). He is also a practicing lawyer and a founding   performances are Wednesday, Thursday, Saturday, and
      member of Zoetic Stage in Miami, where he lives with his   Sunday at 2 p.m. Post-performance discussions follow   Pinchas Zukerman And The
      wife, Stephanie, and their daughters, Kate and Jilly. He is   weekday matinees. Tickets for all performances are $89,
      grateful to Sue Ellen, Bill and the whole PBD organization   except for opening night ($104) and previews ($69).   Palm Beach Symphony
      for their courage in and commitment to producing The   Student tickets are available for $15 with valid K-12 or
      Cancellation of Lauren Fein.                      university/college identification, and anyone under 40              By Rex A. Hearn
        Palm Beach Dramaworks is a professional, nonprofit   pays $40 (no additional fees) with a photo identification
      theatre company founded in 2000 and located in the   card. Tickets for educators are half price with proper     Monday, Jan. 15 at the
      heart of downtown West Palm Beach. Each season, the   identification (other restrictions apply). Group rates for 10   Kravis Center was a night to
      award-winning company produces five mainstage shows   or more and subscription packages are available. Tickets   remember. So many artistic
      and offers a wide variety of programs for students at   can be purchased through the box office, in person or by   forces came together to
      the theatre and in schools. Committed to fostering the   phone at (561) 514-4042, Ext. 2, and online 24 hours a   make it an evening of
      future of theatre, PBD has become a hub for playwrights   day at www.palmbeachdramaworks.org.        sweet memories. First came
      in Florida and around the country to nurture their work     The Don and Ann Brown Theatre is located in the   Adolphus Hailstork’s Four
      through initiatives including The Dramaworkshop and   heart of downtown West Palm Beach, at 201 Clematis   Hymns Without Words a
      the Perlberg Festival of New Plays. PBD is a member   St. For ticket information contact the box office at (561)   delightful, tuneful work for
      of Theatre Communications Group, Florida Professional   514-4042, or visit www.palmbeachdramaworks.org.  solo trumpet, masterfully
                                                                                                           played by world renowned
                                                                                                           Craig  Morris,  who  now
                                                                                                           holds the chair of trumpet professor in Miami’s Frost
                                                                                                           School of Music. Hailstork’s Four Hymns reminds one
                                                                                                           of America’s wide open spaces, its lovely original tunes
                                                                                                           and style surely influenced by that other great American
                                                                                                           composer, Aaron Copland. Originally written for organ
                                                                                                           accompaniment, this inspired orchestration begins
                                                                                                           brightly continuing with touches of swing and jazz
                                                                                                           rhythms, spirituals and “western music” reminiscent of
                                                                                                           Ferde Grofe. The trumpet sounds out some very catchy
                                                                                                           tunes in each of the four movements. It reassures the
                                                                                                           listener the “school of cacophony” has been overcome
                                                                                                           by this wonderful composer, now in his 80s teaching at
                                                                                                           Old Dominion University. The Palm Beach Symphony
                                                                                                           accompanied trumpeter Morris with delicacy throughout
                                                                                                           except for a couple of French horn fluffs in their entrances.
                                                                                                           They redeemed themselves in the Sibelius  Second
                                                                                                           Symphony later.
                                                                                                             The incomparable Pinchas Zukerman appeared next to
                                                                                                           play two pieces for violin and orchestra. His services to
                                                                                                           music are legendary beginning as a solo violist moving
                                                                                                           on to form his own chamber groups: an orchestra, quartet
                                                                                                           and trio and now as an accomplished solo violinist with
                                                                                                           the most refined sound you ever heard. He began with
                                                                                                           Tchaikovsky’s  Memory of a Dear Place. It’s a slow
                                                                                                           movement originally written for his magnificent violin
                                                                                                           concerto. But, for reasons unknown he put it to one side.
                                                                                                           At the time he was recovering from a nervous breakdown.
                                                                                                           Published posthumously in 1896 and orchestrated by the
                                                                                                           young composer Alexander Glazunov, it is dedicated to
                                                                                                           the Ukrainian village of Brailove, where Tchaikovsky
                                                                                                           recovered.  Dear Place is a somewhat romantic piece
                                                                                                           in which the violinist seems to sing over the orchestral
                                                                                                           accompaniment, and sing Zukerman did with such an
                                                                                                           exquisite sweet tone. Tchaikovsky referred to its closing
                                                                                                           as “a song without words.” Indeed it was a delight.
                                                                                                             The Mozart violin concerto followed, No. 3 (of 5)
                                                                                                           Kochel  Listing  No.  216,  same  solo  violinist,  Pinchas
                                                                                                           Zukerman in fine form. Mozart’s father was a violinist,
                                                                                                           author of the seminal book on violin technique of 1756.
                                                                                                           Mozart was a good violinist, but as a teenager moved to
                                                                                                           the forte piano, preferring the new musical improvement
                                                                                                           of the harpsichord.
                                                                                                             This violin concerto with its gossamer light tunes and
                                                                                                           folksy fiddling pleased the huge audience greatly, you
                                                                                  10                         And now for the Sibelius Second Symphony. During
                                                                                                           could have heard a pin drop their interest was so focused.
                                                                                           %
                                                                                                           the Second World War I lived in Manchester, England.
                                                                                                           Incendiary bombs destroyed my father’s manicured lawns
                                                                                                           in 1941, but did not go off! My introduction to Sibelius
                                                                                  10  OFF
                                                                                                           was twofold. The BBC constantly played Finlandia by
                                                                                                           Sibelius to raise morale. Churches even put words to its
                                                                                                           magnificent ending.
                                                                                 OFFER EXPIRES MAR 16TH
                                                                                 OFFER EXPIRES MAR 16TH
                                                                                                             At 16, the war over, a colorful conductor from
                                                                                                           America took the podium of my local orchestra, The
                                                                                                           Halle, founded in 1848. It was Sir John Barbirolli who
                                                                                                           had succeeded Arturo Toscanini as conductor of the New
                                                                                                           York Philharmonic in 1937. He made demands of the city
                                                                                                           alderman and they let him rebuild The Halle, decimated
                                                                                                           by the war, to 95 players.
                                                                                                             A young 16-year-old, Oliver Bannister, became lead
                                                                                                           flutist; a woman from the Salvation Army Band led the
                                                                                                           trombone section, the highly esteemed, Maisie Ringham.
                                                                                                           And Joyce Aldous was the timpanist. And so on. A year
                                                                                                           into his tenure they tackled Sibelius’s Second. It turned
                                                                                                           me into a believer. And it’s on an early L.P. recording
                                dr. elixir's drink-ory garden                                              which I still have. Maestro Gerard Schwarz and his Palm
                              opens 1 hour prior to showtime                                               Beach Symphony Orchestra gave the performance of their
                                                                                                           lives last night. It was a brilliant interpretation. Kudos to
                                                                                                           all and especially conductor Schwarz for rebuilding this
                                                                                                           wonderful orchestra which now surely stands equal to
                                                                                                           and along with America’s big five.
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